"Inspector Lewis" Dark Matter (TV Episode 2010) Poster

(TV Series)

(2010)

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8/10
Another murder in an Oxford college
Tweekums11 May 2010
When the master of an Oxford college is found dead at the the foot of the stairs in the observatory it is initially thought to be an accident but signs of a struggle lead Lewis and Hathaway to suspect foul play. As the investigation proceeds we get several suspects with differing motives; old affairs are exposed, students and staff are victims of blackmail and a devout Catholic student learns that his girl friend has had an abortion. Lewis and Hathaway must sift though the various motives and red herrings to eventually find the killer.

As always the regular cast did a good job as did Warren Clarke as the obsequious head porter. When the killer was revealed I was surprised as I had several suspects higher up my list although there were clues to suggest that they may have had a believable motive.
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9/10
Astronomical Themes
Hitchcoc12 February 2018
When an Oxford administrator falls from a ladder while looking through a telescope, it appears at first to be an accident, but soon evidence shows it is foul play. We are then welcomed into a real tangled web from the past to the present, jealousy and loss of entitlement. We also get to hear the first strains of Holst's "The Planets," as two musical conductors come into conflict, one young and one old. Clues come from the transit of Venus as an astronomical event. A couple of bodies, as usual, bring our favorites on the scene. Of course, the inimitable Hathaway proves to be a cosmologist.
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8/10
What a cast.
Sleepin_Dragon22 March 2018
By this stage in Lewis the show was attracting strong viewing figures and able to attract an impressive cast. Of all the episodes I can think of a finer assembled cast then this one. Warren Clarke, Annabelle Apsion, Robert Hardy and Sophie Ward to name but a few.

It's a strong story, wonderfully typical of Lewis, that sounds like a negative, but far from it, a real bread and butter story, set in the confines of an Oxford College. It's an incredibly polished episode in every aspect, I wouldn't say it's anything out of the ordinary, but it has huge merits. Sophie Ward is dazzling in every scene, a glorious actress, Robert Hardy commands attention in every scene, Warren Clarke brilliant also, much missed. Andrew Hawley's accent was peculiar though, I wasn't sure if the character was Irish, Scouse, American, it seemed to drift.

Totally lacking any flaws, an excellent, well produced episode.
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8/10
"Excess of Joy" Becomes Moderate Sadness with Revenge
WeatherViolet12 September 2010
Oxford University prepares for two events this coming Friday, June 05: an astronomical occurrence believed to transpire once every 122 years, plus an outdoor performance of "The Planets" composition by the University Music Department.

Professor Andrew Crompton (Christopher Bowen), who searches for the path of a comet, anticipates Friday's 3:15 PM event of the Planet Venus to cross before the Sun, as do Lady Gwen Raeburn (Diana Quick), of the Oxford University Astrophysics Department, and student Jeremy Michael "Jez" Haydock (Andrew Hawley), who shares their interest in Astronomy.

Sir Arnold Raeburn (Robert Hardy), husband of Gwen and Oxford University Maestro, composes the arrangement and rehearses with his guest conductor, Malcolm Finniston (Anthony Calf). Instrumentalists include Gwen, on cello; student Kate Cameron (Ruby Thomas), on clarinet; and Oxford Police Department's very own Doctor Laura Hobson (Clare Holman), also on clarinet.

But, three days earlier, on the evening of Tuesday, June 02, an Oxford citizen enters Saint Anne's Church Confessional to confide with Father Francis (Jonathan Cullen), who obtains information which may be able to explain events to transpire that night and during the following days, particularly a double homicide, but Father Francis may not reveal any confidence unto the Police Department because of the sacred Seal of the Confessional.

So, when a body is discovered at the Observatory, the victim of a fall descending its staircase, Detective Inspector Robert Lewis (Kevin Whately) and Detective Sergeant James Hathaway (Laurence Fox) arrive to investigate, as does Doctor Laura Hobson, who all report to Chief Superintendent Innocent (Rebecca Front) as revelations of potential motives begin to unfold, including adultery, fornication, abortion, and jealousy.

Doctor Ella Ransome (Deborah Cornelius), Oxford College Physician, and friend of Isobel Crompton (Sophie Ward), Andrew's wife, has been treating the elderly Ted Temple (Bernard Lloyd), a former Porter at Oxford, for ailments, which include Dementia. Ted, however, remembers certain facts, but yet he doesn't recognize to whom he reveals these.

Ted's son, Roger Temple (Warren Clarke) serves as Oxford's Porter on Duty, working under the direction of Professor Andrew Crompton, as Roger's wife, Babs Temple (Annabelle Apsion), tends to Isobel Crompton's domestic needs, as well as performing housekeeping responsibilities on campus, as for Kate Cameron, for example, when she discovers Kate and Jez in a compromising situation one morning. Jez is also the son of Babs' sister, making him Babs and Roger's nephew.

Well, as Detective Inspector Robert Lewis and Detective Sergeant James Hathaway label the first death a murder and begin to uncover other clues except those which Robert maintains that Father Francis ought to provide, but shall not, "Robbie" asks Doctor Laura Hobson to keep her eyes and ears open during concert rehearsals, before Laura discovers a second victim, who perishes in her arms, as Laura attempts to treat the patient, whose injuries result from the bullets of a double-barrel rifle shooting.

Then, after Chief Superintendent Innocent questions Father Francis, he tells Inspector Robert Lewis and Sergeant James Hathaway something that he may reveal, an event transpiring outside of the Confessional on Tuesday evening, while Doctor Laura Hobson reports on a hasty exit from concert rehearsal plus an altercation in the aftermath.

So, Inspector Lewis and Sergeant Hathaway arrive at the outdoor concert to face another altercation, as their primary suspect of the hour escapes toward the "gun shoppe," to which they head to attempt to ward off yet another suspect who points a rifle toward all four in the room during a climactic showdown scene. Will there be another murder, or a suicide, perhaps? Lewis and Hathaway must act with utmost precaution to attempt to prevent another occurrence.

The cast is rounded out by Liz Crowther as Mrs. Leeming, Ted Temple's Caregiver; Ben Addis as Junior Porter, who works with Roger Temple; Nicholas Howe as Undergraduate, who does the readings; Robin Kermode as Television Interviewer, of Arnold and Gwen Raeburn before concert; and Chris Wilson as Police Firearms Tech.

Comment: Clare Holman delivers a refreshing performance as her regular role as autopsy physician expands to clarinetist for charity. Sophie Ward and Deborah Cornelius also add a nice touch, while Annabelle Apsion and Warren Clarke convincingly demonstrate discontented domestics attempting to raise their station in life. Diana Quick and Robert Hardy as restless academics succeed nicely at communicating a married couple's shopworn chemistry. Jonathan Cullen, Anthony Calf, Andrew Hawley and Christopher Bowen certainly add to the production quite naturally and quite naturally creating interest in every regard with little or no "Dark Matter" about it.
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8/10
Interesting mystery
grantss21 October 2022
The master of one of the Oxford colleges, a keen astronomer, dies after being pushed down a flight of stairs at the observatory. He didn't seem to have an enemy in the world, making Lewis and Hathaway's job very difficult. The secret seems to lie at his college.

Another reasonably interesting episode of Lewis. Decent plot with some good sub-plots. For once Dr Hobson (Clare Holman) gets a bit more screentime and we get to see her as more than just a pathologist. Was hoping she would be the centre of the episode as she does liven each episode up but, alas, it was not to be.

Like most episodes of Lewis the revelation and backstory are a bit far-fetched but at least this time it feels like there's a build-up to the discovery of the murderer, rather than a sudden rush of information at the end.
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6/10
Typical and typically polished episode of the series
lorenellroy29 September 2010
Andrew Crompton ,the Master of Gresham College,Oxford ,is an astrophysicist of no little distinction and when he is found murdered in the Oxford Observatory it ,naturally ,causes a stir within both police and academic circles.There is no shortage of suspects .These include the College Porter,Temple<( Warren Clarke ) a domestic tyrant to his long suffering wife but a toady to those in authority;then there is the distinguished classical composer ,Raeburn (robert Hardy) and his wife (Diana Quick),not to mention Jeremy(Andrew Hawley) the bright and personable working class student and protégé of the deceased ,and the up and coming conductor Finniston (Andrew Calf).Not to mention sundry others all with means ,motive and opportunity to do the deed.

Lewis and his Oxford educated sidekick Hathaway (played as always by ,respectively ,Kevin Whately and Laurence Fox)are assigned to the case and conduct their investigation among the "dreaming spires "of the University and its erudite denizens.The series -like its predecessor ,Inspector Morse ,has always utilised classical music for gravitas and Holst is deployed frequently in the episode.this is all about "civilised" murder and urbane detection ,ahaving little to do with the reality of crime in the real world but essentially heir to the academic mysteries of such writers as Michael Innes and Sayers.Polished ,professional and proficient and well acted by a cast of genre veterans this breaks no new ground but will please those viewers who like cosy mysteries,as an antidote to grittier fare like "The wire"
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9/10
To me, the best 'Lewis' episode since "Music to Die For"
TheLittleSongbird11 June 2017
Hearing about 'Lewis' for the first time when it first started, there was a big touch of excitement seeing as 'Inspector Morse' was and still is one of my favourites but also a little intrepidation, wondering whether the series would be as good. The good news is, like the prequel series 'Endeavour', 'Lewis' is every bit as good as 'Inspector Morse' and stands very well on its own two feet as a detective mystery and show in general.

As said a number of times already, 'Lewis' started off very promising with the pilot and Season 1. It was with Season 2 where 'Lewis' hit its stride with things generally feeling more settled. Season 3 was a more mixed bag, started disappointing "Allegory of Love" (though to me it was not a bad episode), before getting better with "The Quality of Mercy" and finishing well. "The Dead of Winter" was a well done start to Season 4, and "Dark Matter" was even better and to me the best 'Lewis' episode since "Music to Die For" (a show highlight).

There is actually very little to criticise. Warren Clarke's character may gets on your nerves, as he did mine, though Clarke did play him very well. Innocent also has relatively little to do.

On the other hand, the acting is fine, anchored by Kevin Whately and Laurence Fox. Whately is again very good and carries the episode with aplomb, advantaged by that Lewis is much more developed and as said he has more development. Clare Holman adds a lot and has an even bigger role than before, which was great. Fox is a breath of fresh air in a great contrasting role that reminds one of a more intelligent Lewis in his younger days and his sparkling sparring chemistry with Whately is a big part of the episode's, and show's, appeal.

Production values are of very high quality. It's beautifully shot as always, and Oxford not only looks exquisite but is like a supporting character in itself. Barrington Pheloung returns as composer, and does a first-rate job. The theme tune, while not as iconic or quite as clever as Morse's, is very pleasant to listen to, the episode is charmingly and hauntingly scored and the use of pre-existing music is very well-incorporated, the use of Holst's "The Planets" (great piece and perhaps Holst's most well known composition for good reason) is inspired.

There is some fun and thought-provoking writing, especially between Lewis and Hathaway, and the identity of the killer is a big surprise and the climax tense and fathomable, after seeing my fair share of convoluted, far-fetched and over-stuffed endings in previous and succeeding episodes. Support acting is great from particularly Clarke, Diana Quick and Robert Hardy.

Overall, great. 9/10 Bethany Cox
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6/10
The Series Has Settled into Its Patterns by This Episode. Alas.
Absalom19914 July 2015
Warning: Spoilers
(Be warned: SERIOUS SPOILERS FOR THIS AND PREVIOUS EPISODE)

By the second episode of the fourth year of the show, memories of Morse have faded enough to allow Lewis to be seen more clearly as itself. It is a careful, pretty vehicle for excellent talents wasted for lack of better writing, a trade of intelligence for coziness (good for longevity), and the natural exhaustion of story ideas, leading to baroque overreaching (and the shark being jumped regularly). Edges are worn or file off - don't disturb audiences with anything too challenging or bothersome.

However, the high technical quality of the production (again, it's very pretty) and the integrity of the regular actors (the wonderful Whately, Fox and Holman) lessen the probably inadvertent insults. What seemed to be cynicism in the directing, writing and producing now looks simply like incapacity - the B team taking over after their betters moved on. One doesn't want to hold it against them. They can't do any better.

This episode was typically complex, overreaching and a little desperate.

Of COURSE we have the pre-eminent British composer involved. After all, in the last episode we had a lecherous pederast marquess, an adulteress marchioness playing with her husband's nephew, a murdering butler, a Jesuit ensconced like Rapunzel in a tower, child-abuse victims, a police sergeant who happened to grow up on the estate rediscovering love with the daughter of the lord just before her engagement party, and even more in the last episode. In the real world it would have been international news and one for the history books, but here it was treated as just another week in old Oxfordshire.

But none of that matters now. The stakes are low, the target audience has arranged its cushions, and as the hazy amber light settles its glow on our beloved characters, it is finally the coziness and comfort that matters. Complaining misses the point.

Right?

At least in this episode we had a break from the tedious homophobia to which we've been treated in the series, and an slight easing-up on the contempt for intellectual culture. That counts for something.
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10/10
A fun, and wild viewing ride.
vitoscotti17 January 2024
First off, what a treat to see stunning Diana Quick as Gwen Raeburn in the cast. She gave memorable performances in "Midsommer Murders" that I still remember quite vididly. Would have been better if she had a bigger role here but just great she was in it. About time pretty Clare Holman as Dr. Laura Hobson got a bigger role. Hopefully she's shoehorned in more in future episodes. Loved how she was willing to bend rules to gather clues. I actually think it would've be been a better cast if she and Laurence Fox switched roles when the series was first cast. She's that good. Fox's bland style would be perfect as a pathologist.

A well written story that led me on red herring paths that was really fun. Ruby Thomas as Kate Cameron at the gun range was a brilliant deflection red herring maneuver. There's always a lot of truth in senile character's utterings in British detective mysteries as was here.

An easy 10 out of 10 rating with a stellar script, pretty actresses, and a surprise ending.
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7/10
The Oxford College porter got on my nerves
safenoe11 March 2016
Warning: Spoilers
I like Lewis and this episode stood out because of Warren Clarke's portrayal of an Oxford University porter. The porter came across as arrogant because he takes the names of people entering the College grounds, studiously recording it in his notebook much to the irritation of the visitors.

Coincidentally, recently there was controversy in Christ Church College at Oxford University where a porter demanded to see the ID of a black student and his ethnic minority guests, even though white college students weren't asked of their IDs. I guess that even though some porters (as depicted in Lewis) have social chips on their shoulders and an inferiority complex, they won't hesitate to look for another racial class to display superiority within College grounds. But once you leave the safety of College grounds, their inferiority complex lingers. Kind of reminds me of Oxford bus drivers who attempt to display racial superiority whilst stuck to their sweaty and smelly driver's seat.
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