Abby Collins-Walker, Hoyt, and Calian (Justin Cortez) start assembling evidence about Liam Collins murder; Sheriff Tom Davidson (Greg Hovanessien) ostensibly arrests a suspect in the crime, and assorted alliances and rivalries start developing.
Most of the episode is devoted to necessary world-building; it's a bit too early for substantial action; a brief saloon fight, but not the free-for-all bottle smasher "Gunsmoke" regularly served up...but fair to point out Hagan's in Independence has a lot more expensive furnishings to lose than the Long Branch in Dodge City.
The character of Kate (Katie Findlay) takes on more of a series-driver presence, She's Abby's gal pal, presides over Hagan's in the Miss Kitty role, and is also working undercover as a Pinkerton investigator; reference to an investigation that went bad might prove an engaging backstory. And hopefully we will see more back-and-forth between her and the owner of Hagan's (Mark Sheppard); Sheppard added much to the final episodes of "Battlestar Galactica" (2004-09) a decade plus ago.
The Pinkerton angle opens up some new routes for the story. As Kate's contact correctly states, the Pinkerton Detective Agency's job is to look after the railroads and not worry about local crime and corruption ("Hell on wheels" Kate replies, in a nice homage to the 2011-16 AMC series). Coming off a less-than-stellar job for Union intelligence during the Civil War, by 1870 the agency was more firmly occupied in anti-labor activity, railroad security, and handling contract manhunts (such as for the James brothers in Missouri) that the Federal government did not have the manpower and resources for. The agency did employ female operatives, but what Kate and her contact are doing in a town the railroad has yet to reach will take some explanation.
The Independence, Tx. Set (and I keep reminding myself its Texas, not Missouri, and that Harry S Truman is not going to appear as a bespectacled newsboy) serves well at night; interior evening scenes serve up enough darkness, gaslight and cigar smoke to detach us from the 21st century for a while. The exterior day scenes still need some work; if this is going to be a sprung-up plains town much of the architecture is too fancy for a place supplied mainly by wagon. A more accurate depiction would feature lots of fresh-cut lumber, oversize garish signs, and streets constantly torn up from overuse. An over abundance of mud during rain scenes would help as well.
Hopefully the series will introduce additional backstory during these first installments, along with some Texas-specific local color.
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